Still, and more than most crop-sensor cameras, you can get decent results at 4 x 6 inches here for less-critical applications if needed. It's large and bright and the use of OLED technology delivers good levels of contrast, while the refresh rate delivers a very smooth feed. ISO 12,800 prints a decent 5 x 7, and that's not too bad given how high this ISO is for this sensor size. Panasonic G9 has external dimensions of 137 x 97 x 92 mm (5.39 x 3.82 x 3.62″) and weighs 658 g (1.45 lb / 23.21 oz) (including batteries). New York, The Panasonic G9 is capable of excellent image quality. Comparison image of Panasonic G9 and Panasonic GH4 Size, Weight and External Dimensions - Front View Color remains better from the Panasonic, if a bit cool. This is certainly helped by the comparatively compact proportions of the lens making it a breeze to shoot handheld, while even with a 1.4x teleconverter attached it worked very well. The renewed auto focus system with 225-AF points works extremely quickly and accurately. Once again, just minor differences between the two siblings here at ISO 3200, with the G9 producing slightly better color and contrast. This is a pretty close race here at ISO 3200, with the G9 cranking up its default noise reduction more than the E-M1 II compared to ISO 1600. Panasonic Lumix G9 with 12-60mm f/2.8-4 , 1/50 sec at f/4, ISO10,000. The G9 does noticeably better in most of the fabrics, but it also shows more aliasing artifacts which the XT-3's X-Trans filter helps avoid. Battery life is rated at 400 shots – that's 10 shots less than the GH5, but it's fairly typical for a mirrorless camera of this class. The G9 competes quite well with the A6500 here at ISO 1600, retaining similar levels of fine detail with lower noise and better color, however sharpening artifacts are more evident. Panasonic Lumix G9 with 7-14mm f/4, 1/500 sec at f/5.6, ISO200, Unprocessed raw file. Lumix G9 fieldtest. Imaging Resource © 1998 - 2020. At base ISO, the G9 does a slightly better job at rendering fine detail while the E-M1 II image shows more obvious sharpening haloes and is slightly cleaner. As we've experienced in the past, it's a very dependable system, and there were very few occasions when we needed to intervene and dial in exposure compensation. The G9 handles noise very well up to ISO3200 when shooting raw. On close inspection there is a mild softening in the red channel, typical of most cameras by this ISO sensitivity and print size, and just a touch of noise in flatter areas of our test target, but still a very good all-purpose print. It offers outstanding image stabilization, great image quality and tons of customization all packed in a reasonably lightweight, weather-sealed body. The G9 also delivers solid dynamic range performance. ISO 25,600 comes very close to allowing a good 4 x 6 inch print, perhaps closer than any MFT camera to date. Panasonic Lumix G9 with 200mm f/2.8, 1/800 sec at f/2.8, ISO200, The dynamic range available in this raw file is very good – we've recovered a good amount of both shadow and highlight detail in this shot. You can customise four picture profiles on the G9 and one on the E-M1 II. I’ll start with a full sweep of the sensitivity from 100 to 25600 ISO in JPEG and RAW, followed by six examples of the new composite High Resolution Mode in practice; if you’re most interested in the latter, just … Very pleasing prints overall! Panasonic has also worked hard to improve color rendition, and the G9 produces much more natural-looking and faithful colors in JPEG files than we've seen from other Lumix cameras in the past. Panasonic Lumix G9 with 12-60mm f/2.8-4 , 1/50 sec at f/4, ISO10,000, Processed raw file at ISO10,000. ISO 6400 delivers a good 8 x 10 inch print, but there is a noticeable lack of "pop" and richness in color overall, and this is common for most all but full-frame and larger sensors here. Panasonic Lumix G9 with 200mm f/2.8 and 1/4x converter, 1/640 sec at f/4, ISO640, Images can deliver nice colors and contrast. Just like the GH5 and a selection of other Panasonic mirrorless cameras, the Lumix G9 uses a 1,728-zone metering system to determine exposure. The G9 not only gets a resolution boost to 20 megapixels over the G85's 16-megapixel sensor, but it also gets improved image processing courtesy of Panasonic's latest generation Venus processor. At base ISO, the A6500 produces a slightly crisper, more detailed image with almost no sharpening haloes. Ihr Handling zielt nun jedoch auf Fotografen. We also found that the Lumix G9's auto white balance performed very well, with the camera delivering natural-looking results under a range of lighting conditions and light sources. Flickr is almost certainly the best online photo management and sharing application in the world. Luminance noise appears a little higher from the X-T3 in flatter areas, but the G9 produces a crisper image with slightly better detail overall. On this page I’ll go into detail about the Lumix G9’s image quality. Upon close inspection, noise levels appear a little lower from the G9, and the "grain" pattern is less blocky or "digital-looking" in flatter areas as well. Receive news and offers from our other brands? It produces noise-free images at ISO 100 to 3200, with limited noise starting to appear at ISO 6400. For those interested in working with the RAW files involved, click these links to visit each camera's respective sample image thumbnail page: Panasonic G9, Panasonic G85, Panasonic GH5, Fuji X-T3, Olympus E-M1 II and Sony A6500 -- links to the RAW files appear beneath those for the JPEG images, wherever we have them. Mit ihren vielfältigen Aufnahmefunktionen, extrem schnellen Reaktionszeiten und solider, kompakter Bauweise empfiehlt sich die Kamera besonders für Reportage-, Action-, Sport- und Wildlife-Fotografie und ist der ideale Begleiter für Ihre Abenteuer. Thus, the slightly sharper G9 image can be attributed to better optics. At ISO6400 the chroma noise is quite pronounced, but detail in raw files is very good considering. All cameras in this comparison were shot with our very sharp reference lenses. Good for. Material on this site may not be reproduced, distributed, transmitted or otherwise used without the prior written consent of The Imaging Resource. ISO 12800 exhibits quite visible noise and loss of fine detail, and the fastest setting of ISO 25600 is … Here is a high-resolution image shot using the 80Mpixel mode of the Panasonic G9. The image quality is definitely not three times better, it may be 10% -15% better, even 20% better (though I suspect not), so to pay three times more for it is not really worthwhile for a non pro user. For JPEGs, the G9's noise reduction does a good job, controlling noise pretty well without sacrificing too much detail. Still, you can get a good 8 x 10 inch print at this gain setting in a pinch. Capable of super fast burst speeds, with reliable AF as well as good-looking 4K, this camera can easily handle double duty. What’s the bottom line? It is lightweight despite its larger body and comes with a smaller micro four thirds sensor. And here is a small section from the centre of the image at 100% magnification. ISO 400 yields a very good 24 x 36 inch print, displaying similar characteristics to the 30 x 40 inch prints at base and extended low ISOs. These two siblings produce very similar image quality here at base ISO, as both feature OLPF-less 20-megapixel sensors with the same generation Venus image processor. You might expect the 26-megapixel X-T3 to have a noticeable resolution advantage over the 20-megapixel G9 here, but both cameras have similar dimensions on the vertical axis (4160 vs 3888 pixels) which is how this target is framed, so the resolution difference is very minor and mostly boils down to different demosaicing algorithms and processing. © Receive mail from us on behalf of our trusted partners or sponsors? Above we compare the Bayer-filtered MFT Panasonic G9 to the X-Trans-filtered APS-C Fuji X-T3. ISO 800 prints are quite good at 16 x 20 inches, which is still quite a nice-sized print given the gain is beginning to climb. The G9 continues to do a better job rendering fine detail than the X-T3 here at ISO 1600, while at the same time producing much lower luma noise. It produces noise-free images at ISO 100 to 3200, with limited noise starting to appear at ISO 6400. Thank you for signing up to TechRadar. Fixed the problem of overexposure when burst shooting with the settings of SH1, SH2, SH1 PRE, SH2 PRE. Colors are still warmer from the Fuji. Panasonic Lumix DC-G9 im Test | Unabhängiges und kritisches Testverfahren Alle Vor- und Nachteile Best-Preis finden Jetzt lesen And remember, you can always go to our world-renowned Comparometer to compare the Panasonic G9 to any camera we've ever tested! Its output is a higher resolution JPEG file than the Olympus, 80MP vs 50MP (though the Olympus can output and 80MP Raw file too). Even with a 1.4x converter, the Lumix G9 can produce very finely detailed images. This is a selection of sample images from the Panasonic G9 camera, which were all taken using the 20 megapixel Fine JPEG setting. Panasonic Lumix G9 with 12-60mm f/2.8-4 , 1/250 sec at f/9, ISO200, JPEG file at ISO10,100. There was a problem. Panasonic G9 + Panasonic 200mm f/2.8. That's quite a jump from the GH5's 12fps (9fps with AF-C), while it's also possible to use the 4K and 6K Photo modes to extract still images. When you use this feature correctly the results can be spectacular. Results throughout the ISO range also look very good, with only a slight hint of luminance (grain-like) noise in the mid-range sensitivities when looking at raw files – you'll have to be looking really closely to notice it. It's well worth noting that the 20 x 30 inch prints here are quite usable for wall display purposes and less critical applications as well. Future US, Inc. 11 West 42nd Street, 15th Floor, What are some of the goods, bads, and the uglies of the Panasonic G9? There is still reasonably full color reproduction and not the typical burnt look that haunts many cameras at this sensitivity, but just not quite enough fine detail to pass our good grade. We found it possible to recover a decent amount of both highlight and shadow detail in JPEG files, while raw files offer even more latitude and flexibility. The G9 does this by shifting the sensor by a half-pixel increment eight times over. Image quality in both sharpness and dynamic range is excellent, considering this is typically a downfall of MFT sized sensor. Panasonic G9 Print Quality Analysis Excellent 30 x 40 inch prints at ISO 100/200; a good 16 x 20 inch print at ISO 800, and a solid 11 x 14 at ISO 3200. Current page: This gives it a crop factor of 2.0x, although it can’t be directly compared to full-frame due to their different aspect ratios. The latest 20MP sensor also means that this is one of the best options available for Micro Four Thirds right now. Using the 200mm f/2.8 (equivalent to 400mm don't forget) meant it was still possible to get pin-sharp shots even at modest shutter speeds. Again, the higher-resolution G9 does better at retaining fine detail with improved contrast and color while at the same producing less objectionable noise "grain" in flatter areas. The Panasonic G9 captured images of excellent quality. Its body is 4mm narrower, 4mm shorter and 8mm thinner than Panasonic G9. The G9 also produces fewer sharpening artifacts along most edges, however some edges aren't as well defined as from the G85. Sensor: 20.3MP MFT Live MOS, 17.3 x 13.0mm Focal length conversion: 2x Memory: 2x SD/SDHC/SDXC, both UHS II Viewfinder: OLED EVF, 3.68 million dots Max video resolution: 4K UHD at 30fps ISO range: 100-25,600 Autofocus points: 225-area contrast AF Max burst: 20fps with AF, 60fps with focus fixed at first frame (600 JPEG, 60 Raw) Screen: 3-inch vari-angle touchscreen, 1,040k dots Shutter speeds: 60-1/8,000 sec (1/32,… The Panasonic G9 has a Four Thirds-sized sensor, which measures 13mm x 17mm. We also see improved contrast and more pleasing color from the G9's revised processing. Like the Olympus OM-D E-M1 II, the G9 offers a high resolution pixel shift mode, a first in Panasonic cameras. When compared to equivalent APS-C cameras, namely the Canon 80D and Sony a6500, both dynamic range and ISO performance are equal up to ISO 3,200. Sensor and Image Quality. In terms of dynamic range, this sensor is excellent. Please refresh the page and try again. While the sharper lens contributes to the G9's better performance, the E-M1 II's stronger default noise reduction plays a larger roll here, smudging fine detail while still producing higher luma noise in flatter areas, though the Olympus' noise "grain" pattern is tighter and more consistent. It’s a handheld exposure of 1/25” at ISO160 and f/10.0. Clicking any crop will take you to a carrier page where you can click once again to access the full resolution image as delivered straight from the camera. These modes might have less appeal with the G9 capable of shooting at such fast speeds, but it's possible to extract single 8MP and 18MP images from 4K 60fps and 6K 30fps footage respectively. NY 10036. The prints provide crisp detail and impressive color rendering, with plenty of three dimensional pop to please discerning eyes. It has a resolution of 20 megapixels, which is the standard for MFT. This is still a fairly nice-sized print, but for fine art printing to 13 x 19 inches and higher you obviously won't be able to rely on ISO 3200 or above, as there is simply too much apparent noise at the larger print sizes to yield dependable prints. The larger 30 x 40 inch prints are certainly usable here as well, but mild softening is detected in certain areas of the prints upon close scrutiny, so we'll put our seal of approval on the 24 x 36 inch prints at this gain setting. Below are crops from our laboratory Still Life target comparing the Panasonic G9's image quality at a few ISOs to its predecessor's, the G85, and against its more video-centric sibling, the GH5, as well as to several competing models at similar price points or in similar categories: the Fuji X-T3, Olympus E-M1 II and Sony A6500. In terms of resolution, images are sharp and very detailed – thanks to the absence of an anti-alias filter. At this sensitivity, as well as luminance noise being that bit more noticeable in shots, chroma (color) noise is also becoming more apparent. Moiré patterns are more visible from the G9 here in the red-leaf fabric, however both cameras lack an optical low-pass filter, so the G85 can also generate aliasing artifacts, just in different situations because of its lower resolution. The Lumix G9's image stabilization system really impresses. Luma noise is noticeably higher from the Olympus, though, but it's more fine-grained and film-like in appearance. Panasonic GH4 is clearly the smaller of the two cameras. Here we compare the G9 to its predecessor, the G85, at base ISO. The Sony does noticeably better in our tricky red-leaf swatch though. Notice how the movement in the ferns looks completely natural. The Panasonic G9 is one of the most well-balanced Micro Four Thirds camera to date. Sign up to get breaking news, reviews, opinion, analysis and more, plus the hottest tech deals! Fine detail is a little better from the X-T3 in our troublesome red-leaf fabric, though both cameras blur it significantly at this ISO. Beyond that, you're not likely to get great printed results for your most important purposes, so heeding these settings in the field will help ensure good printed results. Excellent 30 x 40 inch prints at ISO 100/200; a good 16 x 20 inch print at ISO 800, and a solid 11 x 14 at ISO 3200. I hope you like the image … Pros: Image Quality. Show off your favorite photos and videos to the world, securely and privately show content to your friends and family, or blog the photos and videos you take with a cameraphone. At ISO 1600, the G9 shows significant improvements in both detail retention and color reproduction over its predecessor, while producing slightly lower luma and chroma noise levels in flatter areas despite its smaller pixels. We know this because the E-M1 II's extended low ISO 64 shot shows significantly more detail in the red-leaf swatch and elsewhere in the target. Both cameras produce pleasing colors though the Fuji's are warmer. The Panasonic Lumix DC-G9 is a great camera to take along, especially for action photographers, but also for nature photographers. Fine detail and contrast are much better in our tricky red-leaf swatch from the Sony as well, however moiré patterns are visible from both cameras. The G9 image has slightly higher contrast and is a bit sharper with more visible sharpening haloes, but both cameras hold onto similar amounts of detail. You will receive a verification email shortly. NOTE: These images are from best quality JPEGs straight out of the camera, at default settings including noise reduction and using the camera's actual base ISO (not extended ISO settings). Panasonic Lumix DC-G9 sample gallery: 89 images Nov 8, 2017 Leica Thambar 90mm F2.2 sample gallery: 42 images Nov 7, 2017 Canon EF-M 22mm F2 STM sample gallery: 41 images Nov 5, 2017 Sony a9 Presidents Cup gallery – There were cases the angle of view changed according to the movement of … Below you can see the front view size comparison of Panasonic G9 and Panasonic GH4. Read our Panasonic G9 conclusion. Compare Panasonic G9 image quality against competitors. Within the spectrum of camera sensors, this places the Panasonic G9 among the medium-sized sensor cameras that aim to strike a balance between image quality … At ISO 3200, the G9 image appears sharper, contrastier and cleaner, but with more noticeable sharpening haloes. The images shown above can be further tweaked in-camera. The native RAW file has a pixel count of 10,368 x 7,776 when using this mode. Below you can see the front view size comparison of Panasonic G100 and Panasonic G9. Please deactivate your ad blocker in order to see our subscription offer, We check over 130 million products every day for the best prices, Even with a 1.4x converter, the Lumix G9 can produce very finely detailed images. Panasonic GX9 Print Quality Analysis Excellent 30 x 40 inch prints at ISO 100/200; a good 16 x 20 inch print at ISO 1600 and a solid 8 x 10 at ISO 6400. Die Panasonic Lumix G9 basiert technisch auf der GH5. The A6500 also exaggerates the offset printing coloration in the mosaic label which the G9 appears to attenuate. Again, be aware we have since changed lab lenses and aperture for MFT cameras, though, giving the G9 a somewhat "unfair" advantage in optics here, though some of the difference in detail is due to the E-M1 II's stronger default noise reduction at base ISO. Section of the image at 100% magnification (click to view) It’s early days but this could be a bit of a game changer for me. One little annoyance is that the battery level isn't shown as a percentage - just four bars, so it's not always clear how much charge is left. Sadly, though, this will largely prove true as long as you are happy with footage up to 60fps, since the G9 does not get 120fps shooting at any resolution. TechRadar is part of Future US Inc, an international media group and leading digital publisher. IMAGE QUALITY OF THE Panasonic G9. At this size the detail is good enough for anything but critical applications, though anything larger begins to show too much in the way of noise and some obvious smearing effects from anti-noise processing. The A6500 image is crisper with better detail here at ISO 3200, but it's also much noisier in the flatter areas, so it's difficult to pick a definitive winner here as it comes down to personal preference. Improved LVF image quality when waiting for shooting in creative video mode. Unser Test zeigt, ob der Plan aufgeht. Image captured using the Panasonic G9 80 Mpixel high-resolution mode. Panasonic G100 is clearly the smaller of the two cameras. As you can see, the G9 image has a larger scale and is more detailed from the increased pixel count. As far as image quality is concerned, the Panasonic G9 is close to the Olympus OM-D EM1 mk2 and the Panasonic GH5. ISO 3200 sees the strain of cranking the gain increase, as the G9 is only able to manage a workable 11 x 14 inch print. I shot this using the Fuji XT3 and Fuji 18-135 lens at 18mm. The Fuji however produces fewer aliasing artifacts and lower chroma noise. As expected, we see very similar image quality from these two siblings here at 1600 with just minor differences in color and noise, though again the G9 produced a slightly sharper, more contrasty image thanks to the better optics. Panasonic Lumix G9 – Image quality. The Panasonic G9 produced a default mean saturation of about 109.3% (9.3% oversaturated) at the base ISO of 200, which is fairly typical. Performance and image quality. Here we compare the 24-megapixel APS-C Sony A6500 to the 20-megapixel MFT G9. See real-world photos taken with the G9. ISO 100/200 deliver superb prints at 30 x 40 inches, and even larger if your viewing distance allows given the 20-megapixel resolution. You can change contrast or saturation (±5 on the G9, ±2 on the OM-D) or adjust the tint of the white balance settings to your taste. Unencumbered by an optical low pass filter, the 20.3MP chip delivers really fine detail at lower sensitivities; you'd certainly struggle to tell the difference between results from the G9 and a comparable APS-C rival. Our tricky red-leaf fabric also illustrates the G9's context-sensitive processing, where it retains and even exaggerates the fabric's thread pattern in some areas but not in others, while the G85 produces a smoother rendering with virtually no thread pattern visible (although some of the difference here is just a result of the G85's lower resolving power). The Panasonic G90 captured images of excellent quality. And here’s a small section from the centre of the frame. However, for your most critical printing applications at this gain setting we suggest 13 x 19 inches to be sure. Image quality from the Lumix G9 is very good indeed, and it's certainly the best performance we've seen from a Micro Four Thirds-based camera. At ISO 1600, the G9 holds onto significantly more fine detail than the E-M1 II. The electronic viewfinder is one of the largest to be built into a camera, and the display and shooting experience are excellent. 85% Silver Award. The Lumix G9 is capable of shooting at a blisteringly quick 20fps with full continuous AF, while this can be stretched a staggering 60fps if you don't need to track your subject. ISO 12800 exhibits quite visible noise and loss of fine detail, and the fastest setting of ISO 25600 is … Whilst it’s challenging to get a good composition, there is a lot of potential. Colors are cooler but generally more accurate from the Panasonic. For this reason we suggest limiting the G9 to either ISO 1600 or 3200 for critical printing purposes. Although Micro Four Thirds sensors are prone to showing more noise at high sensitivities than their APS-C rivals, the G9 is … The 10 best cameras you can buy right now, TicWatch Pro 3 LTE launched, improving on an already great smartwatch, How to get an Nvidia RTX 3080, 3070 or a 3090 even though they're all sold out, Where to buy PS5: restock tracker to find PS5 on sale during Cyber Week, Best digital photo frame 2020: 7 great home displays for your photos, Cyber Monday phone deals 2020: these offers are still available, The new Xbox Series X update makes things feel a bit more next-gen, Antivirus alone is no longer enough to keep your devices protected. Overall, the Panasonic G9 turns in a solid performance for print quality. The G9 image is just a bit sharper and slightly more detailed, however be aware we have changed our lab lens and aperture for Micro Four Thirds cameras since the GH5 was shot, moving from a Zuiko 50mm f/2 at f/8 to a Leica Nocticron 42.5mm f/1.2 at f/5.6 which results in slightly sharper images with less diffraction. Panasonic Lumix G9 with 12-60mm f/2.8-4 , 1/250 sec at f/9, ISO200, Raw file processed to taste in Lightroom. Visit our corporate site. The sharper optics also likely contribute to moiré patterns in the red-leaf fabric being more visible from the G9 as well, though again the E-M1 II's stronger default noise reduction does blur the leaf and thread patterns quite a bit more than the G9 here at ISO 200. I’m determined to return to this location for a sunset (hopefully with a Panasonic G9). Panasonic Lumix G9 with 12-60mm f/2.8-4 , 1/1000 sec at f/5, ISO2000, Raw file processed in Lightroom. The 6.5-stop compensation means it's possible to shoot at incredibly slow shutter speeds with wide lenses, while using the 200mm f/2.8 (equivalent to 400mm don't forget) meant it was still possible to get pin-sharp shots even at modest shutter speeds. ISO 1600 manages a good 16 x 20 inch print, displaying a touch more visible noise in some areas of our target, but not enough to miss out on our good grade. The Panasonic Lumix G9 offers excellent image quality and video features. Technische Daten - DC-G9EG - LUMIX G Wechselobjektivkameras - Die LUMIX G9 setzt neue Profi-Maßstäbe. The thumbnails below link to the full-sized versions, which have not been altered in any way. The Panasonic Lumix G9 is available from 1 January 2018, priced £1500 body-only, £2020 with the Leica 12-60mm f/2.8-4 lens, and £1670 with the Panasonic … In simpler terms, the Panasonic Lumix G9 is one of the best photography oriented mirrorless cameras for video purposes. You'll definitely want to invest in an additional battery or two to keep handy in your bag. The Panasonic G9 features a Four Thirds sensor and has a format factor (sometimes also referred to as "crop factor") of 2.0. Again, colors are noticeably warmer from the Fuji but still pleasing. To further enhance image quality, Panasonic applied a special anti-reflection coating on the sensor of the Lumix G9, to reduce flare and ghosting. Above we compare the G9 to another 20-megapixel MFT camera without an OLPF, the Olympus E-M1 II. You can safely expect very good prints at large sizes up to ISO 1600, and still get useful printed results through ISO 3200. Given that this camera is marketed for the most part at still photographers, and given its competition with cameras such as the Olympus E-M1 Mark II, the G9 does a good job of holding its own against both that model and the storied Panasonic GH5.

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